Sometimes the poems found in the narrative monte roberts elements, but more intense storyline does

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Ernest Noreika, reads his poetry, literary events, I have heard more than once. Then consciousness is caught by long memory and will not play more beautiful monte roberts metaphor or unexpected comparison. You know that poem was interesting, but what is it?
A similar impression remains, and the first reading of E. Noreikos monte roberts poetry book "peacocks Lake. Seems to have read the poems slowly as Marcel Proust's works, and each metaphor or parable examine carefully, almost like a Salvador Dali sketches, as even the most elementary steps complicated by the poems. For example, the river is described as soluble in snow, "and thus void. only snowflakes mirrors / planets afraid of sadness / river when landing on your face / in the rain melted blue swans "(p. 41).
It's monte roberts very visual, pictorial poetry full of vivid imagery. Therefore, the artistic image - peacocks Lake core. Emphasis is placed on seeing, observation, peering. Subject to talk about the world begins to see and articulate a vision of (many seen, were seen, ... ", p. 12). Even when trying to go to the sensory realm, talk about what it feels is still an indispensible addition to what is seen, what is visually:
Entity becomes an important component to the eyes, as if to himself "sipping" the visual environment (in his eyes Carnations monte roberts rain, sometimes snow blizzard dolls ", p. 9). In the viewing area open up a specific field, the words of the poet, the eye room "in monte roberts which someone not to notice (užbintuoti eyes," p.19.) Is tantamount to "impound imagination" monte roberts (ibid.), a poem by E. Noreikos take away the breath of life.
Sometimes the poems found in the narrative monte roberts elements, but more intense storyline does not develop monte roberts further. This entity is also not uniform, his status as the broken only occasionally bursts through environmental fixation, the opening monte roberts images (verse "senses", "unicorn", "shepherd" and so on.). "Next" poetry is not defined. A woman's figure, beloved portrait implied "you" serve as an excuse to gaze (just blow the place where it hurts to see how mirrors Lyda, p. 15) or become one of the images of parts of the world (as wrapped in Palay just born drafts of wind, / / and the electric hum a lullaby of sirens charged, "p. 12," on your hair, sweetheart, swinging išgaišusi nightingale ", p. 18).
A poem like nuaudžiamas from the dream of the filament, but the motive and the same dream more than once to blend seamlessly into the fabric of the text. The texts contain surreal, liberated, "relaxed" consciousness, wandering between reality and illusion, "I do not know what a dream, where reality" (p. 31). Perhaps because the book section (seizures, illnesses, ward) or poetry ("madness," "nightmare," "convulsions, diseases and so on.) Names can be suskliaudžiami the disease, madness topic?
Surrealist art and illusion of certainty posed problems can be observed monte roberts and peacocks in the lake. " An interesting detail monte roberts - mentioned throughout the book mirrors do not perform their functions, objects reflect. Mirrors worn down, worn, to destroy them "mirror knead clay" (p. 44), "Burn mirrors" (p. 16), door mirror slams her face getting worn "(ibid.), the voice of the languages of the water plantain treated the mirror "(p. 23), the tomb of the mirror" (ibid.). This mirrors the portrayal reminds René Magritte paintings, monte roberts which depict a realistic and balanced manner different objects. The artist their work poses questions that encourage discussion about the relationship between reality and fiction. Similar questions monte roberts arise in reading and E. Noreikos texts, and finally pronounced, "and only a breeze, but the feathers pabirusios says it all / is true only to the extent that a dream can still sense out" (p. 48). The reader is moved into the dream space that has its own, not as soon as user adoption rules or principles.
wind mill snail bone screw in umbrella suriečia,
In fact, there are insightful encounters, details, reasons. monte roberts However, reading more e-texts Noreikos understand that someone else has already heard that repeated the same images. River boats, snails, mirrors, dreams, birds, blizzards and heavy rain - the grounds, among which an indispensible in any poem. So sometimes unintentionally makes you want to continue reading on the intrigue, for example, raising the question - how many times more likely to be repeated motif of the moon? And, sadly, passed on such occurrences, however, have a "moon boards" (p. 14), month pačiūžom "(p. 16)," moon dust "(p. 19)," Moon tongues "(p. 23) "drip" the moon "(p. 30), the feathers of the month" (p. 32), "moon leg fractures" (p. 41), "moon nettle" (p. 43), "moon chops" (ibid.) "horns of the moon" (p. 45), etc.
It is not always maintained and constructed by the integrity of the world, sometimes užsižaidži