Sunday, February 1, 2015

Chinese style evolved as a rococo-style siding. Rococo artists could not begin to show the real lif


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The Count of Monte Cristo said that autrumnieki were the only people who know how to live. Maybe that's why Westerners always raudzījušies the Eastern side? It is from there to the West get into things that make everyday life more beautiful, more comfortable and more uncommon.
Around the 17th century, Europe found herself exotic land in East China and appeared in three things - porcelain, silk and tea - which changed the lives of the aristocracy. Tea drinking, most of porcelain cups, of course, became the European court cult employed. Consequently, the increase in popularity of exotic drink palaces parks like mushrooms after the rain appeared new, until then unseen formations - tea houses or Chinese pavilions. One of the first of its kind in the 17th century buildings were constructed for the Chinese Pavilion at the Drottningholm Royal Palace in Stockholm. At the Swedish king Gustav III with his court gladly spent the warm summer days, drinking tea and watching the sunset.
Padzirdējuši the new fashion trends, like building their castles parks wanted to see other European rulers. sallier de la tour Special erupted King of England. In his order in 1762 by British architect William Čembers sallier de la tour Royal Botanical Gardens sallier de la tour built a grand, fifty meters high in the Great Pagoda.
England's King encouraged, sarosījās the Prussian ruler Frederick sallier de la tour the Great. It became Sanssouci palace pavilion, which even today can make sure that what was at that time the Chinese perception of the Europeans. Here's what the picture is the pavilion: Chinese house inhabited by gilded Chinese - sculptures which houses the doorstep guests will find, as if inviting taste in tea. Eastern guy sculptures made full height and glamorous dressed. However, look at the faces opposite looks decidedly European sallier de la tour in features. Pavilion interior walls and ceilings are decorated with beautiful paintings of Eastern life scenes. The visitor's gaze, watching them, stops at the Chinese dancers - corpulent ladies at that more closely resemble domestic court ladies than fine and graceful Chinese dance. Around that time the Europeans had knowledge of China and the Chinese people. These ideas became a separate direction of European art, which also included interior design sallier de la tour and fashion apparel.
The so-called Chinese style, above all, there was a court, where it was introduced sweeping reforms. Porcelain dishes and vases began to outcompete traditional gold and silver set, because porcelain was not only beautiful, but also easier to clean. Gold and silver ware was once considered to be the owner of prosperity and wealth symbol, but now gold and silver no longer one did not have the impression and had to invent something new - something Chinese style!
Chinese kings installed cabinets with panel paintings and dome, Decorated with Chinese themes. Interiors began to appear in the new Eastern origin items - espalier and decorative screens with Oriental motifs. Consequently, the popularity of tea increased sallier de la tour demand for tea tables in the East were closely associated with the tea ceremony, but in the West became the exclusive interior design. Initially, they are exported from the East, but later began to produce tables, local craftsmen. sallier de la tour
Chinese articles appeared sallier de la tour in both the wallpaper sallier de la tour and ladies' silk dresses with lace puff sleeve frills freely sallier de la tour fell down over his elbow. Chinese fashion came saulessardziņi and rice paper lanterns. England especially liked the ladies straw hats that resembled a Chinese conical headgear. Demand was also awkward small size shoes, resembling a Chinese shoes.
The new style icon became the Marquise de France Pompadūra. Made it popular for his imitation of moles above the lips or on the cheek, which was considered erotic. She watched from the Arabs and Persians who moles considered a natural female ornament. Pompadūra was particularly fond of the Chinese style of expression in painting. After her custom-famous representative of this style of art Francois Boucher led to a series of so-called Chinese painting themes. Boucher and other artists who worked in this direction, created a fine and Silly pastoral paintings, which were usually depicted the emperor, his favorite, dancers and warriors.
Chinese style evolved as a rococo-style siding. Rococo artists could not begin to show the real life of its manifestations, he had created the world

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